This song was the last of the batch of geriatric tabs I found in the archives that made their way onto this album. I wanted this one to be heavy as all heck but still be melodic to the point where I can use some crazy chords and harmonized lines. The tuning for this one is an 8-string variation of the “Racecar tuning,” which lends itself to some interesting shapes and melodic intervals. The low string is a D, which opened up the bass to go straight to hell with the guitars and make it growl. Umansky Bass is meticulously sampled even down to these unearthly depths, making many parts of this song sound like hell is opening itself up.
supported by 11 fans who also own “To Dissociate & Deceive”
This is 1 of the best instrumental albums I've heard, EVER. Top 3: this Wide Eyes, Andromida (Timeless), & The Algorithm (Compiler Optimization Techniques). thevossman